Possibly. Or so Ian McMillan, a poet from Barnsley and presenter of The Verb on Radio 3, heard Daljit Nagra, a prize winning poet from London, suggest when the two were chatting in the interval at the RFH during the TS Eliot shortlist readings.. You can hear some of the shortlisted poems on iPlayer until the first week in February.
Daljit described how different the poetry world seemed to him twenty years ago. Poets (with or without cravats) were mostly preoccupied with themselves and elitist. Now there are more people ‘singing from the margins’, about gender issues, sexuality, race. Poets are writing confidently, are able to speak freely, unlike in the more limited possibilities of the non-poetry world.
The ten shortlisted represented this change in both North America and Britain. Poets are being daring with form, more are using the long poem; they are doing something with poetry that can honestly address identity politics. Poets now dramatise, have nuance, they look at the small p of poetry. Collections are no longer a list of lyric poems; poets are going back to the roots of poetry, to Chaucer, Beowolf, The Ramayana, so the ‘ reader can walk up to the poem and be challenged’.
The judges, Daljit Nagra, Sinéad Morrisey and Clare Pollard chose as the winner Hannah Sullivan who won the £25,000 prize against strong competition with her brilliant debut: ThreePoems. The first, You, Very Young in New York is a ‘wry and tender study of romantic possibility, disappointment and the obduracy of innocence’. Repeat Until Time ‘unfolds into an essay on repetition and returning home’. The Sandpit after Rain explores the birth of a child and the death of a father.
We’re delighted to announce the launch of our latest poetry title –Stories & Lies – which showcases a trio of poets as they ask – how can we ever get our full family story when some people stray, some stay put, some go to any lengths to hide their past and others invent?
Three very different poets create the stories that need to be told in order to explore ideas of belonging and leaving, exile and expatriation, family and self. In poems that range from the surreal to the conversational we glimpse relationships across generations, moving from Ireland to the north of England to New England via the Midwest and Eastern Europe. From the most intimate poems to the expansive, these portraits reveal the universal in the personal, the extraordinary in these ‘ordinary’ families.
The book was launched in November at the Poetry Cafe in London’s Covent Garden.
Den poezie is an annual international and multicultural poetry festival held for two weeks every November around the birth anniversary (16.11.1810) of the great Czech Romantic poet, K.H. Mácha. It is the most widespread poetry event in the country with events now taking place in around 60 Czech cities, towns and villages. Almost all the events are free. This year’s Den poezie runs from 12th – 26th November and its theme is Labryrint světa / Labyrinth of the World (after the work of the great Czech humanist and educator, Jan Amos Komenský – Comenius.
In the 2017 programme there are two events in English – on Tuesday, 14th November at 7 pm in the library of Anglo-American University, Letenská 5, Prague 1 there is a reading by poets Stephan Delbos (US) and Jane Kirwan (UK), who will read their own poems, and the Irish poet Justin Quinn will read from his new translation of the works of Czech poet, Bohuslav Reynek, The Well of Morning. David Vaughan of Czech Radio will moderate. The second event takes place on Tuesday, 21st November at 7 pm in the Literary cafe Řetězova, Řetězova 10, Prague 1 when Scottish poet, novelist and playwright Alan Spence, recently appointed ‘Makar’ of Edinburgh, will read his poetry.
Den poezie first took place on just one day in 1999, and marked the launch of a Poezie pro cestujíci (Poetry on the Metro) project initiated by the festival founder, the Literary and Cultural Club 8 (Renata Bulvová and Bernie Higgins). The festival is now coordinated by the Poetry Society (Společnost poezie), a small group of people involved in literature/teaching who work as volunteers to organise events and promote interest in poetry. Year by year, the length of the festival extended, as more and more organisations and towns participated, until it reached its current two-week duration
Blue Door Press is pleased to announce the publication of HERRINGS, our first poetry volume, published in collaboration with Poetry In Aldeburgh.
HERRINGS is an anthology of poems reflecting the gathering of poets at the first Poetry in Aldeburgh festival in November, 2016. Daphne Warburg Astor and Andrew Hewish have edited and designed HERRINGS in celebration of the poetry community far and wide.
In this beautiful hard-backed volume you’ll find over 100 poems written by first time poets as well as internationally respected poets, including – Moniza Alvi, Mona Arshi, Maura Dooley, Ian Duhig, Matthew Hollis, Ruth Padel. Many take inspiration from Aldeburgh, the North Sea, East Anglia, the energy and warmth of the festival, friendship, family and more.
At the heart of the volume is collaboration, discovery and the generosity of the included poets because every penny from sales will be donated to Poetry in Aldeburgh to help create the festival for years to come.
We are delighted to announce that Francis Gilbert be reading from Who Do You Love at Goldsmiths Writers’ Centre on Wednesday 11 October. He’ll be reading along with former Goldsmiths MA student, Clare Fisher. Do come along! Full details here.
Here at Blue Door Press we’re delighted to be publishing our first memoir, Hidden by Annabel Chown, a beautifully written, thoughtful book, scheduled for Spring 2018.
Aged 31, Annabel was diagnosed with breast cancer. At the time a successful architect with a busy London social life, this came as tremendous shock. In Hidden, Chown charts each stage of the treatment and her growing understanding of different kinds of architecture – those of her own body and the structure of the life she’d built up. Is this what she wants?
Annabel Chown, in the Swiss Alps, 2017
As Annabel recalls, “It was a very challenging time, but also – in a strange way – an intriguing time, as I was catapulted from my familiar worlds of architecture deadlines and dating into the hinterland of cancer and its treatments. I wrote Hidden because I wanted to create something meaningful out of the devastating diagnosis.”
Fast forward almost a decade and Chown makes another startling discovery about her illness which has meant having to make more choices.
This is not a gloomy book. It’s one woman’s story about learning to accept what life throws at you, learning how to make positive changes. Now she’s ready to share that story, “I’m excited to be putting my book out, and I hope it can support and inspire others in the same situation. Recently, I’ve been revising the manuscript as I prepare it for publication and it’s been interesting to realise how much I’ve changed and my life has changed. Life can actually be better after cancer, something I would never have believed at the time.”
You can read more about Annabel’s story in the November issue of Red magazine, but do come back in Spring 2018 when you can read the full story in Hidden.
It is midsummer; the heart of this glorious season, a time when Vikings used to resolve legal disputes, when the sun would align with the Wyoming’s Bighorn medicine wheel and magnificent Aztec architecture, and the Ancient Chinese would honour the earth which embodied the feminine force known as yin. It’s no surprise then that storytellers, poets and writers have been drawn by its power. In 1987, myself and a group of students from Sussex university put on a play on the summer solstice to honour the trees that fell in the 1986 hurricane. I wrote a fictionalised account of this night in my novel, Who Do You Love, and this prompted me to see if I could celebrate the solstice again. The fact that it was also National Writing Day meant that there were many people interested in getting involved. The following things happened:
First, Goldsmiths English PGCE students hosted a writing workshop in the Goldsmiths allotment. You can find the excellent worksheet they produced on Scribd here.
Second, although she could not be at Goldsmiths, Ursula Troche wrote these two poems to celebrate National Writing Day and the solstice.
Third, myself and a number of other writers, including Ian McAuley, Helen Bailey, Peter Daniels, Julie Hutchinson and Magda Knight read at the Word Bookshop. Here are the videos of their readings. They are audible, but the noise in New Cross can be heard at times; it was very hot and we had to leave the bookshop door open!