TAKING LIBERTIES with The Goose Woman

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Many of the poems in The Goose Woman focus on a village in Bohemia. I did worry that a neighbour might come across them and take offence but decided that was unlikely. The collection was in English, published in Britain, I was safe. And there were only a few poems that might be insensitive.

However, when asked by Svět Knihy to talk on a panel about translation, and read a few examples, the risk became more pressing. Svět Knihy is a book fair held annually in Prague in May, both a trade fair for publishers and a literature festival, combining promotion with readings, discussions, argument. The events are held in Výstaviště, exhibition grounds that were built around an industrial palace in 1891.

This year had the usual long queues to get in, people of all ages in a three days extravaganza, a celebration of books: fantasy, romance, TV cooks demonstrating their dumplings, people hunched over incredibly complex, incomprehensible interactive games, talks on politics, philosophy…

An event at the Cafe Europa was about Brexit, with an emphasis on its literary ramifications. David Vaughan moderated and Bernie Higgins and I identified ourselves as fully Europeans, and tried not to get too heated. Questions from the audience included confusion about what the Labour party or more precisely Corbyn was up to. Fintan O’Toole was quoted from Heroic Failure ‘…the strange sense of imaginary oppression that underlies Brexit. This mentality is by no means exclusive to the Right.

The poetry events were held in the Lapidarium. This extraordinary museum houses stone sculptures dating from the 11th century. I could only hope that no one in the audience or wandering through looking at the original statues from Charles Bridge would glance over at the poems projected wall size behind me.

I was asked ‘How has your relationship with Czech (and a Czech) affected your poetry? Which was impossible to answer. The second question ‘because of your close relationship with Czech and your translators (Aleš and Tomáš), when you are writing do you ever pause and deliberate on whether to use a line that you know will be difficult to translate into Czech?’ made me realise I’d failed completely to consider and value translators. Tomáš Míka talked about the difficulty in translating ‘One Made Earlier’  from Stories & Lies. It looks impossible but he did it – a few in the audience were even familiar with the reference to Blue Peter.

Then I was asked to read ‘I Am Slabce’ from The Goose Woman. My untruths/exaggerations were projected behind me; no one seemed to have any difficulty in understanding. Slabce was less than eighty kilometres away; I could only imagine Mr Novak or the mayor or Vladimir wandering in and being appalled by such slander.

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Is the poetry world of cravats and bow ties slowly disappearing?

Possibly. Or so Ian McMillan, a poet from Barnsley and presenter of The Verb on Radio 3, heard Daljit Nagra, a prize winning poet from London, suggest when the two were chatting in the interval at the RFH during the TS Eliot shortlist readings.. You can hear some of the shortlisted poems on iPlayer until the first week in February.

Daljit described how different the poetry world seemed to him twenty years ago. Poets (with or without cravats) were mostly preoccupied with themselves and elitist. Now there are more people ‘singing from the margins’, about gender issues, sexuality, race. Poets are writing confidently, are able to speak freely, unlike in the more limited possibilities of the non-poetry world.

The ten shortlisted represented this change in both North America and Britain. Poets are being daring with form, more are using the long poem; they are doing something with poetry that can honestly address identity politics. Poets now dramatise, have nuance, they look at the small p of poetry. Collections are no longer a list of lyric poems; poets are going back to the roots of poetry, to Chaucer, Beowolf, The Ramayana, so the ‘ reader can walk up to the poem and be challenged’.

The judges, Daljit Nagra, Sinéad Morrisey and Clare Pollard chose as the winner Hannah Sullivan who won the £25,000 prize against strong competition with her brilliant debut: Three Poems. The first, You, Very Young in New York is a ‘wry and tender study of romantic possibility, disappointment and the obduracy of innocence’. Repeat Until Time ‘unfolds into an essay on repetition and returning home’. The Sandpit after Rain explores the birth of a child and the death of a father.

You can hear an extract read by Hannah Sullivan:

 

Poetry in Prague

 

 

After Poetry in Aldeburgh just keep going east and there is the water of the Vltava rather than the sea…

IMG_0036 and it’s two weeks of poetry in Prague.

 

  • Den poezie is an annual international and multicultural poetry festival held for two weeks every November around the birth anniversary (16.11.1810) of the great Czech Romantic poet, K.H. Mácha. It is the most widespread poetry event in the country with events now taking place in around 60 Czech cities, towns and villages. Almost all the events are free. This year’s Den poezie runs from 12th – 26th November and its theme is Labryrint světa / Labyrinth of the World (after the work of the great Czech humanist and educator, Jan Amos Komenský – Comenius.
  • In the 2017 programme there are two events in English – on Tuesday, 14th November at 7 pm in the library of Anglo-American University, Letenská 5, Prague 1 there is a reading by poets Stephan Delbos (US) and Jane Kirwan (UK), who will read their own poems, and the Irish poet Justin Quinn will read from his new translation of the works of Czech poet, Bohuslav Reynek, The Well of Morning. David Vaughan of Czech Radio will moderate. The second event takes place on Tuesday, 21st November at 7 pm in the Literary cafe Řetězova, Řetězova 10, Prague 1 when Scottish poet, novelist and playwright Alan Spence, recently appointed ‘Makar’ of Edinburgh, will read his poetry.
  • Den poezie first took place on just one day in 1999, and marked the launch of a Poezie pro cestujíci (Poetry on the Metro) project initiated by the festival founder, the Literary and Cultural Club 8 (Renata Bulvová and Bernie Higgins). The festival is now coordinated by the Poetry Society (Společnost poezie), a small group of people involved in literature/teaching who work as volunteers to organise events and promote interest in poetry. Year by year, the length of the festival extended, as more and more organisations and towns participated, until it reached its current two-week duration

 

Hidden – a memoir

Here at Blue Door Press we’re delighted to be publishing our first memoir, Hidden by Annabel Chown, a beautifully written, thoughtful book, scheduled for Spring 2018.

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Aged 31, Annabel was diagnosed with breast cancer. At the time a successful architect with a busy London social life, this came as tremendous shock. In Hidden, Chown charts each stage of the treatment and her growing understanding of different kinds of architecture – those of her own body and the structure of the life she’d built up. Is this what she wants?

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Annabel Chown, in the Swiss Alps, 2017

As Annabel recalls, “It was a very challenging time, but also – in a strange way – an intriguing time, as I was catapulted from my familiar worlds of architecture deadlines and dating into the hinterland of cancer and its treatments. I wrote Hidden because I wanted to create something meaningful out of the devastating diagnosis.”

Fast forward almost a decade and Chown makes another startling discovery about her illness which has meant having to make more choices.

This is not a gloomy book. It’s one woman’s story about learning to accept what life throws at you, learning how to make positive changes. Now she’s ready to share that story, “I’m excited to be putting my book out, and I hope it can support and inspire others in the same situation. Recently, I’ve been revising the manuscript as I prepare it for publication and it’s been interesting to realise how much I’ve changed and my life has changed. Life can actually be better after cancer, something I would never have believed at the time.”

You can read more about Annabel’s story in the November issue of Red magazine, but do come back in Spring 2018 when you can read the full story in Hidden.

Summer Solstice Readings for National Writing Day at the Word Bookshop, New Cross

I had a very enjoyable day at Goldsmiths on the summer solstice to celebrate National Writing Day. The summer solstice is:

“the time at which the sun is at its northernmost point in the sky(southernmost point in the South hemisphere), appearing at noon at its highest altitude above the horizon.”

It is midsummer; the heart of this glorious season, a time when Vikings used to resolve legal disputes, when the sun would align with the Wyoming’s Bighorn medicine wheel and magnificent Aztec architecture, and the Ancient Chinese would honour the earth which embodied the feminine force known as yin. It’s no surprise then that storytellers, poets and writers have been drawn by its power. In 1987, myself and a group of students from Sussex university put on a play on the summer solstice to honour the trees that fell in the 1986 hurricane. I wrote a fictionalised account of this night in my novel, Who Do You Love, and this prompted me to see if I could celebrate the solstice again. The fact that it was also National Writing Day meant that there were many people interested in getting involved. The following things happened:

First, Goldsmiths English PGCE students hosted a writing workshop in the Goldsmiths allotment. You can find the excellent worksheet they produced on Scribd here.

 

English PGCE students in Goldsmiths allotment, June 21st 2017
English PGCE students in Goldsmiths allotment, June 21st 2017

Second, although she could not be at Goldsmiths, Ursula Troche wrote these two poems to celebrate National Writing Day and the solstice.

 

Third, myself and a number of other writers, including Ian McAuley, Helen Bailey, Peter Daniels, Julie Hutchinson and Magda Knight read at the Word Bookshop. Here are the videos of their readings. They are audible, but the noise in New Cross can be heard at times; it was very hot and we had to leave the bookshop door open!

Who Do You Love by Francis Gilbert

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‘I enjoyed Who Do You Love a lot. It’s beautifully-written, very funny about sex and the excruciating confusion of being young and single then middle aged and trapped. I think you’ve captured something about a generation in a way that will touch a lot of readers…. Really, a terrific novel.” Amanda Craig, literary journalist, and author of A Vicious Circle and Hearts and Minds.

Nick is cracking up. In his mid-forties, he has just been sacked as an arts journalist, with little prospect of getting such a well-paid, prestigious job again. Even more worrying for him is his suspicion that his wife, a Deputy Head at a school, is having an affair with a much more successful person: does she want to trade in Nick for a better model?

But most devastating of all is the fact that he learns that a former lover, Ellida, has died. Unable to find a new job, Nick miserably fails, despite his best attempts, to be pro-active and positive, and retreats into memories of the past.

By turns comic, tragic and romantic, Who Do You Love is a stirring novel which explores the big issues of passion, death and grief; a fast-paced contemporary love story but also moving exploration of what it means to be alive today, which should appeal to fans of writers like David Nichols, Ann Tyler and Nick Hornby.